Ten years ago, in June 2009, a paper of mine about White Australia records and the Poon Gooey family was published on the National Archives website. I had presented the paper at the Fourth International Conference of Institutes and Libraries for Chinese Overseas Studies at Jinan University in Guangzhou, China, on 10 May 2009. I was then working in the web team at the National Archives and so we put my paper up online, with links to images of documents and to the original archival records, which were all digitised in RecordSearch.
Using the story of Poon Gooey and his family as a case study, the paper discussed the National Archives’ early 20th-century records on Chinese Australians, particularly those created in the administration of the White Australia Policy. The records document many aspects of the lives of Chinese Australians, including immigration and travel, business enterprises, political activities and community life. Publications and finding aids, descriptive work and digitisation projects over the years have made the records easier to access and hopefully encourage their use.
The records are a legacy of the discrimination and marginalisation of the White Australia years, but they can be used by researchers today to recover the lives of Chinese Australians in the past, and also to provide a more nuanced understanding of the contradictions and complications of Australia’s response to its Chinese population.
For the first ten years of her married life, Ham Hop lived the life of a gum saan po (金山婆 jinshanpo), a Gold Mountain wife. Soon after they had married in Hong Kong in 1900, Ham Hop’s husband returned to Australia where he was a produce merchant in Victoria. Exactly where and how Ham Hop spent the years between 1900 and 1910 is not clear, but in June 1910 her husband returned with permission to bring her to live with him in Australia for six months.
Ham Hop, her husband Poon Gooey and their two daughters just before the left Australia, 1913 (National Archives of Australia: A1, 1913/9139)
When they arrived in Melbourne in November 1910, Ham Hop was already about two months pregnant and so with the birth of her daughter falling at around the time she was meant to leave Australia, permission was granted for her to remain further, but just temporarily. Over the next two years, her exemption certificate was extended a total of five times (including because of a second pregnancy and the birth of another daughter), until she finally left Australia for good in May 1913.
Ham Hop’s case is one of the most-cited examples of the injustice and unfairness of the White Australia Policy in the early decades of the twentieth century — except mostly Ham Hop’s name doesn’t appear in such discussions. If she is referred to directly, it’s mostly as Mrs Poon Gooey or Poon Gooey’s wife, and her story is known as the Poon Gooey case. Yet this case is framed around some of the most personal and intimate of moments in a woman’s life — her betrothal and marriage, her reunion with her migrant husband, her pregnancies, the births of her daughters, her post-natal health, breastfeeding and the health of her newborn daughters. In the article I’m writing about the case I want to make her the centre of the story, not her husband, not the bureaucrats, not the law, not public opinion.
Records in Australia tell us only so much about the lives of Chinese who lived in Australia. In the case of Ham Hop, they tell us quite a lot about the three years that she was in Victoria, but what of the years before, when as a young woman she lived far apart from her husband, and of the years after. Snippets about Poon Gooey in Australian newspapers suggest that the family did go back to the village for a time at least, even though he seems to have been working in Shanghai in the mid-1920s. Ever-hopeful of research miracles, I decided to see what, if anything, I could find out in China. And so here I am.
Regular readers will know that I’ve been thinking about Ham Hop and Poon Gooey for quite some time now. Having first identified a name that I’m satisfied to call her, other than Mrs Poon Gooey, and establishing that her husband was from Kaiping, the next thing was to identify his home village.
Why his, I hear you ask, and not hers? Because it will be near impossible to identify where Ham Hop was from and even if I did, the likelihood of anyone there knowing anything about a woman who married out of their village more than a century ago is less than zero. In Australian records she is Ham Hop or Ham See or Hop Poon Gooey or Hope Poon Gooey. My best guess is that she was from Kaiping or maybe Taishan or Heshan, that her surname was Tan (譚) and her given name He (合), pronounced hup in Kaiping dialect.
There was more to go on to identify Poon Gooey’s origins — a passenger list that listed Poon Gooey’s origins as ‘Hoiping’, other Poons in Victoria from Kaiping, and student passports of Poon boys (held in the National Archives) that named the villages they came from — and using the various village databases I narrowed it down to a few particular villages. The villages are in Kaiping city, Yueshan town, Qiaotou village (開平市月山鎮橋頭村). I thought possibly, just possibly, someone in one of them might know something about what happened to Poon Gooey and his family after they returned to China one hundred and two years ago.
Jiayiyuan farm and guesthouse, Kaiping
In Kaiping I’m staying at an organic farm, Jiayiyuan (嘉頤圓), and Selia Tan and her husband joined me here for breakfast (congee, roasted sweet potatoes, corn on the cob, choy sum, a type of steamed cake called faat tay and fresh hot soy milk) before we set out for the villages. It was a good thing breakfast was so sustaining because it was afternoon tea time before we stopped for a break.
We hadn’t made any contact with the villages before turning up, so after turning off the main road we just drove until we spotted the gate of one of the villages I’d identified from the village databases, Zhongheli (中和里).
Old gate at the entrance to Zhongheli village, KaipingPainted decorations on the old village gate, Zhongheli village, Kaiping
Just turning up like this isn’t the most effective use of time if you have a really strict schedule and definitely want to contact relatives or see a particular family home while you’re in a village, but I think it’s more enjoyable to be able to wander at will, at least for a first visit. Getting the officials from the local Overseas Chinese Bureau involved takes away a lot of one’s freedom (my visit yesterday to Shiquli in Xinhui is a delightful but exhausting case in point — more on that in another blog post).
Abandoned houses in Zhongheli village, KaipingAltar in an abandoned house in Zhongheli village, Kaiping
Many of the houses in Zhongheli village looked like huaqiao houses, and most of them weren’t being lived in. We spoke to one lady who said that she’d married into the village more than 40 years ago and had never seen anyone return to visit these houses.
Handwritten copy of one branch of the Poon genealogy, Zhongheli village, Kaiping
Another man said that he’d be able to help us see a copy of the Poon genealogy and eventually we ended up in house of a very lovely older lady inspecting the copy of the genealogy her father-in-law had written out by hand many years ago. Unfortunately it was a copy of their direct branch only, and we didn’t find Poon Gooey’s name. From the dates of others listed in the genealogy, Poon Gooey is likely to have been of the 18th or 19th generation.
Winter rice fields with Zhaolongli village in the distance, Kaiping
It turns out that there are eleven little villages (里 li) in the larger village (村 cun) of Qiaotou, all home to people of the surname Poon/Pan (潘). As people returned from overseas, they would find a new bit of land and build a new huaqiao village. Then as those villages became abandoned again when people moved to Hong Kong or went back overseas, more new villages would be built by those people remaining in the area when they needed more housing.
Entrance gate to Zhaolongli village, Kaiping
So, armed with directions for another of the Australian Poon villages I’d identified, we set off again. From the records I’d seen in Australia, I reckoned that this village, Zhaolongli (肇龍里), was most likely to be where Poon Gooey was from (or perhaps where he built a house on returning from Australia in the 1910s). The layout and architecture in the village marks it very clearly as a huaqiao village and from the village entrance we could see a diaolou (碉樓) and the roofs of several yanglou (洋樓) poking out above the roofs of the other houses.
Village residents descended from Australian huaqiao, with Selia Tan, Zhaolongli village, Kaiping
We spoke to three gorgeous old men (with fantastic gold false teeth!) who told us that many, many people from Zhaolongli were Australian, but that their houses now mostly sat empty. In fact, they said, their grandfathers or great-grandfathers had all been in Australia, but they had no idea when they went or where they went to. They also told us that the village’s ancestral hall had been destroyed during the Cultural Revolution, and all that remained was one of the front pillars.
Laneway between houses, Zhaolongli village, Kaiping
The village is set out very neatly, facing onto a pond, with front and back gates (門 men) on either side. The houses are lined up in a grid pattern, with a lane way between each two houses, for light and air and for circulation. Huaqiao villages like this, built in the 1910s, 1920s and 1930s, were usually built in a very orderly pattern, with a building code that regulated the size of the houses and their layout.
Abandoned yanglou in Zhaolongli village, Kaiping — note the tree growing out of the front wallThe largest of the yanglou in Zhaolongli village, Kaiping — it is two separate houses within the same buildingDiaolou in Zhaolongli village, Kaiping
At the very back of Zhaolongli, backing onto the hill, are four yanglou. While most of the other houses are single storey, the yanglou are much taller — three or four storeys. The yanglou are all abandoned and already fallen into disrepair, but once they would have been truly beautiful. And sitting high on the hill, the view from the upper floors and roof would have been lovely. One of the houses is in particularly bad repair, as trees (figs, maybe) are growing in the walls and the roots are creating large cracks separating the front wall from the side walls. The Zhaolongli diaolou sits outside the back gate of the village. Its door was firmly shut so we didn’t go in.
The front row of houses in Nanjiangli village, KaipingRiver at the front of Nanjiangli village, Kaiping
The third village I had identified was Nanjiangli (南江里), which is situated right next to Zhaolongli, although the road into the village comes in from a different direction. Nanjiangli, as the name suggests, is on the banks of a small and rather pretty river. It is smaller than Zhaolongli, but laid out on a similar grid pattern (although there is a lane way between each house, not every two houses as in Zhaolongli). Many of the houses in Nanjiangli, those towards the back of the village, have two storeys. At the back of the village is one smallish yanglou (three storeys).
Stone marking the back of Nanjiangli village, Kaiping — such stones were used as shrines to ask for protection of the village’s women and children, something that was particularly necessary in huaqiao villages
Few of the houses in Nanjiangli are lived in — we counted about half a dozen — but there were some people around, including two elderly men cutting bamboo for firewood. They each had a radio, one playing Cantonese opera and the other playing a story. They didn’t know of any particular connection the village had to Australia, saying that people had gone to Hong Kong — but it’s likely that they were thinking of later generations, from the 1930s and after, and it’s possible that earlier generations had been in Australia (actually, I know they were from the student passport records).
Diaolou in Nanjiangli village, KaipingView over the village and river from the top of the diaolou, Nanjiangli village, Kaiping
Nanjiangli’s dialou is located outside the village gates, on a small hill. As we were clambering about through the bushes to take photographs, a man told us that it was open and that we should climb up to have a look. So we did. The stairs inside are concrete, narrow but sturdy. The diaolou, like many, is being used now for storing firewood and hay. We had hoped to be able to see over the roofs of Nanjiangli village from the top of the diaolou, but the view over the houses themselves was obscured by a beautiful grove of bamboo.
Rice fields, Zhaolongli village, Kaiping
No one in these Poon villages could tell me anything directly about Poon Gooey and his family, but the visit was definitely worthwhile. I’m confident now to say that Poon Gooey was from Qiaotou village, Yueshan town in Kaiping, and I think my initial feeling about Zhaolongli was probably right.
Putting the pieces together, I suspect that their life after leaving Australia went something like this. In 1913, they probably went back to Kaiping, perhaps built a house, then lost all the money they had brought back from Australia after a bandit attack (from their appearance, Selia Tan thought the two diaolou we saw would have been built in the 1920s, so they perhaps weren’t there when the bandits attacked Poon Gooey). Poon Gooey then returned to Australia to set the family’s finances back on track, coming and going between Victoria and China between 1914 and 1918, when he left Australia for the last time. In 1925, Poon Gooey was definitely in Shanghai, so it seems likely that the family were among the many Cantonese who moved to Shanghai around this time. From there, who knows.
Another satisfying thing about the visit is that I’ve worked out Poon Gooey’s name. In an early immigration document, his name is written as 潘如, while the Tung Wah Times wrote it as 潘巍. From the Cantonese and Mandarin the family name makes some sense being transliterated as Poon (pun in Cantonese, pan in Mandarin) and other common spelling variations I’ve seen in Australian records include Pon and Pong. In Kaiping dialect it is pronounced more like pwun, where the vowel sounds is like the ‘oo’ in book.
But the characters for Poon Gooey’s given name were either 如, which is pronounced yuh in Cantonese and ru in Mandarin, or 巍, pronounced ngaih in Cantonese and wei in Mandarin. Neither of these sounds much like Gooey. But, when pronounced in Kaiping dialect, the two characters sound more alike — 如 is pronounced nguey and 巍 pronounced ngai.
I think the proper characters for his name are therefore 潘如 (Pwun Nguey), since it sounds most similar to Poon Gooey and is the name written on a document Poon Gooey himself used when travelling to Australia in around 1900.
Christian church in Yueshan town, Kaiping — the church is still in use today
To finish off our visit to Yueshan, we went to the market town where there is a Christian church. Poon Gooey was a Christian, and fluent in English when he went to Australia in the 1890s. Other Poons in Australia were also Christian. I wonder whether the Poon Gooey family worshipped in this congregation sometimes?
This panel offers three approaches to representing the lives of the thousands of men, women and children who were affected by the racially-based immigration policies of late 19th and early 20th-century Australia. To administer the Immigration Restriction Act and its colonial predecessors, government officials implemented an increasingly complex and structured system of tracking and documenting the movements of non-white people as they travelled in and out of the country. This surveillance left an extraordinary body of records containing information about people who, according to the national myth of a ‘White Australia’, were not Australian at all.
The first paper will examine a unique set of almost 300 identification photographs of Chinese Australians taken in Victoria in the late 1890s, considering what these photographs reveal of the lives of their subjects. The second paper will demonstrate how, through a close reading of the records, fragments of biographical information can be built into a portrait of the life of a Chinese woman living in Australia on exemption from 1910 to 1913. The final paper will consider the possibilities of digital history for reconstructing marginalised lives and reflect on the challenges of representing biographical data from the White Australia records in a form that respects its origins and meanings.
Identifying whom?: reading identification photography by Sophie Couchman
In 1900 William Nean posed proudly on his bicycle in full racing attire for the popular photographic company Yeoman & Co. in Bourke Street, Melbourne. He used this photograph as an identification portrait and it is now preserved in the National Archives of Australia amongst 268 other photographic portraits of Chinese resident in Victoria that were created under the administration of the 1890 Chinese Act between 1899 and 1901. The Act aimed to limit and control Chinese immigration in the colony of Victoria and, from the late 1890s, identification portraits of long-term Chinese residents were used as part of documentation to allow them to re-enter Victoria free from the restrictions of the Act.
William Nean’s portrait immediately raises the questions of who he was and why such an unusual photograph was used as an identification portrait. The rest of the paperwork associated with this series of photographs no longer survives—all that remains are annotated identification portraits. This paper will place these photographs in the history of identification photography and, through close readings of them, tease out what can be learnt about the lives of the men, women and children represented in them.
Shifting the lens: uncovering the story of Mrs Poon Gooey by Kate Bagnall
This paper revisits the Poon Gooey deportation case, marking two significant anniversaries. In 1913, it will be a hundred years since Ham Hop, the wife of fruit merchant Poon Gooey, was deported from Australia with their two young daughters. After Ham Hop’s arrival in Australia on a temporary permit in 1910, Poon Gooey—a fluent English-speaker, Christian and member of the Chinese Empire Reform League—mounted a determined campaign to gain permission for her to remain more permanently. The campaign, while ultimately unsuccessful, found widespread support and was an ongoing embarrassment to the federal Labor government.
Fifty years later, historian AT Yarwood wrote on the Poon Gooey case as an example of early problems in the administration of the White Australia Policy. Yarwood based his study on the very substantial Department of External Affairs file, which documents the Poon Gooey story from 1910 to 1913. Greater access to records in the intervening decades, however, means that is now possible to uncover more of the context of Poon Gooey’s actions at this time and, more generally, of the two decades he spent in Australia—evidence that calls into question some of Yarwood’s conclusions about Poon Gooey’s actions and his motivations.
This paper shifts the lens even further, however, to focus on the life of Ham Hop, rather than on that of her husband. Although significant moments in her life—her marriage, periods of physical separation from her husband, travel to Australia, pregnancies, births of her children, medical problems, and finally the deportation of herself and her children—are recorded in the official case files, Ham Hop herself remains silent. Through a close reading of these records and the extensive press coverage of the case, this paper seeks to reveal what can be known of her story and to suggest possibilities for uncovering the lives of women and children who were marginalised and excluded by the White Australia Policy in the early years of the 20th century.
The responsibilities of data: reconstructing lives from the records of the White Australia Policy by Tim Sherratt
The sheer volume of records created by the White Australia Policy is overwhelming. Amidst this vast and disturbing legacy are thousands upon thousands of certificates documenting the movements of non-white residents. These biographical fragments, often including photographs and handprints, are visually and emotionally compelling. We cannot avoid the gaze of those whose lives were monitored, we cannot deny the people behind the policy.
But these records are also a source of data. Increasing numbers of these records have been digitised. As we develop the tools and techniques of digital history, we open up the possibility of extracting this data from the digitised records, of aggregating the biographical fragments, of tracing lives and mapping families. We can tame the overwhelming abundance of records and create a rich, new resource for exploration and analysis.
But how do we avoid imprisoning these newly-liberated lives in yet another system? How do we ensure that the challenging gaze of individuals is not lost in the transformation to data? This paper will look at some of the possibilities for extracting information from these records and reflect on the challenges of representing that data in a form that respects its origins and meanings.
I recently took my own research advice on how to identify a home village in China. I’ve written before about the early 20th-century Chinese student records found in the Department of External Affairs record series A1, mentioning that:
The files can be a useful way of finding information about the Chinese name and origin (in characters) of people or families already living in Australia.
But before last week I’d never actually needed to use them in this way.
At the moment I’m doing some research into Poon Gooey and Ham Hop, the couple at the centre of the well-known deportation case from 1913. I had previously confirmed from shipping records that Poon Gooey was from Kaiping. He made one journey to Australia as ship’s crew (stevedore) and the passenger manifest lists ‘Hoi Ping’ as his place of origin. Two other Poons on the same voyage were also from Kaiping, as were others who lived in Australia (like Peter Poon Youie).
The research I’m doing has also shown that while there were Poons (and Pons and Pongs) in Melbourne (centred around the Leong Lee store in Little Bourke Street), they seem to have lived primarily in western Victoria, around Horsham, Hamilton, Donald, Warracknabeal, down to Warrnambool and up to Mildura, and also across in Adelaide. All of which suggests that there was some pretty significant chain migration by Poons from Kaiping to southern Australia, perhaps stretching from as early as the 1850s into the 1920s and 1930s.
Armed with all this, I hoped to be able to narrow down Poon Gooey’s home town origins somewhat. First, I checked the Roots Villages Database, to look for Poon villages in Kaiping – there are four, all in Yuet Shan / Yueshan:
Chung Wo Lay / Zhonghe Li
Kiu Tau Fong / Qiaotou Fang
Nam Kong Lay / Nanjiang Li
Siu Lung Lay / Zhaolong Li
(Apologies for not including Chinese characters for these names; there seems to be a bit of a technical issue with encoding.)
Which, if any, of these villages might my Australian Poons have come from?
This is where the Chinese student records come in handy! The applications and student passports included in the files give personal details of the applicants and their Australian sponsors in both English and Chinese characters. Working on the assumption that the Poons in Victoria were most likely from the same clan, I figured that the files may well reveal which village they came from.
I identified eight Chinese student files relating to Poons, Pons and Pongs and set off to the National Archives, baby in tow. Half of the files weren’t relevant, either because the family surname was not actually Poon or because they were from New South Wales not Victoria.
But the half that were relevant told me some interesting things. The boys came from: Shoylungle (Zhaolongli) and Kew How/Quiutay/Kew Too (the same village, Qiaotou, just spelled differently), with ‘Nanjiangli’ also written in Chinese on the Kew Too application. With the names from the Roots Villages Database, matching them up was easy!
The application for the boy from Zhaolongli, Poon Bak Cheung, was made through Leong Lee in Melbourne, and as I know that Poon Gooey was connected to Leong Lee too, it seems likely then that Poon Gooey was also a Zhaolongli native. The images above and below are from Poon Bak Cheung’s file (NAA: A1, 1931/7483).
So, I’d found the names of my Kaiping Poon villages – but where exactly were they? After a bit of searching using both Google Maps and ditu.google.cn (the Chinese Google Maps), there they were. Three little villages all in a row, to the northeast of Yueshan town, with the fourth village listed in the Roots Villages Database also just across the way:
Sometimes it seems incredible that it was only a matter of hours from when I looked up the Roots Village Database to when I was looking at satellite images of what I’m pretty sure was once Poon Gooey’s home. The slowest part of the equation was waiting for the Chinese student files to be retrieved from the repository (which, in fairness to the National Archives, happened as smoothly and promptly as you could expect.)
I know that as a result of the federal government’s deportation action against Ham Hop, the Poon Gooey family returned to China in 1913. While Poon Gooey himself then returned to Australia for a period, in the early to mid-1920s he was back in China and living in Shanghai, presumably with his wife and daughters. After that I don’t know where they went. From what I’ve seen in the archives, I don’t believe that they returned to Australia again.
I visisted Yueshan last year, on the hunt for another family’s home village. I now just have to stop myself from wanting to make another trip to try and find out the fate of the Poon Gooeys.
You can read ‘A legacy of White Australia’, the paper I gave at the Fourth International Conference of Institutes & Libraries for Chinese Overseas Studies in Guangzhou in May, which has been published on the National Archives of Australia website.
A large part of the paper is about the Poon Gooey deportation case from 1910–13. The photo of the family below was published in the Daily Telegraph on 12 May 1913, shortly before the famiily left Australia. The newspaper article was clipped and placed on the wonderfully rich Department of External Affairs file about the case (NAA: A1, 1913/9139).
en years ago, in June 2009, a paper of mine about White Australia records and the Poon Gooey family was published on the National Archives website. I had presented the paper at the Fourth International Conference of Institutes and Libraries for Chinese Overseas Studies at Jinan University in Guangzhou, China, on 10 May 2009. I was then working in the web team at the National Archives and so we put my paper up online, with links to images of documents and to the original archival records, which were all digitised in RecordSearch.
