Photographs

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Archives New Zealand has just put online a small collection of photographs of early Chinese settlers, men who lived in Otago in the late 19th/early 20th century. The online exhibition is called Chinese Portraits.

The photographs were attached to the men’s certificates of registration, the New Zealand equivalent of Australia’s CEDTs (and their colonial predecessors). The original records are held by Archives New Zealand’s Dunedin office.

You can also read about the project in the Otago Daily Times.

Transnational ties

An article of mine has just come out in a new volume called Transnational Ties: Australian Lives in the World, edited by Desley Deacon, Penny Russell and Angela Woollacott and published by ANU E Press. The book is the result of a great conference, Transnational lives/Biography across borders, that was held at the Humanities Research Centre at the ANU in July 2006.

My article, ‘A journey of love: Agnes Breuer’s sojourn in 1930s China’ explores a ’scandal’ involving a young white Queensland woman, Agnes Breuer, who went to China with her Chinese husband in the early 1930s. (Their picture, together with their baby son, is featured on the front cover of the book.)

The couple had married contrary to the wishes of both their families, and Agnes found a very cold reception from her father-in-law on her arrival in China. Wishing to return to Australia, but with an infant son to look after, Agnes’ plight was exaggerated to the Salvation Army in Hong Kong – and she was ‘rescued’ under dramatic circumstances.

I first came across the story in John Sleeman’s White China, but he doesn’t mention Agnes Breuer’s name, or that of her husband, except as ‘Low Mun’. It took a bit of lateral thinking and a ship’s passenger list to find the family’s real name – Lum Mow. Sleeman had referred to a statement given by Agnes to Australian Customs officers when she returned to Australia, so I figured that there had to be some material in the National Archives about it all. More lateral thinking uncovered a file about her husband, known to most in Australia as William Lum Mow – but the file was listed under his Chinese name, Lum Wie. It was one of those lovely fat departmental files that contains correspondence and news clippings and all sorts of treasures.

More pieces of the puzzle fell into place when I managed to track down both Agnes Breuer’s granddaughter and William Lum Mow’s neice, who had themselves only recently made contact. Much thanks therefore has to go to Liz McNamee and Jenny Showyin for their generosity in sharing what they knew about the story of Agnes and William. Of particular value to me were the photographs, letters and other documents of Agnes Breuer’s that her granddaughter still had. The photographs are particularly wonderful, with a handful of pictures taken in China in 1932 during Agnes’ trip and many more of Agnes and William and their friends in and around Townsville in 1931. A detail from one of my favourites of Agnes and William is below.

Historian Melissa Bellanta references Sophie Couchman’s work, and the wonderful Chinese–Australian Historical Images in Australia (CHIA) website, in this short blog post on turn-of-the-century theatre and Melbourne’s Chinatown.

The State Library of New South Wales’ Eureka! The rush for gold web feature includes some interesting material about the Chinese in the section titled Minority miners.

There are links to digitised photographs, paintings and sketches, and images of a most intriguing gold medal from the State Library’s collection. The medal was presented to a goldfields warden in Braidwood in 1881 as a ‘mark of esteem’ by Chinese miners.

The text that goes with these images gives a brief and fairly typical account of the Chinese on the southern Australian goldfields – telling a story of anti-Chinese sentiments, violence, poll taxes, Lambing Flat, anti-Chinese legislation, as well as introducing the exception to all the stereotypes, Quong Tart (there are links to Tart family papers also held by the Library.)

It’s nice to see some of the State Library’s Chinese stuff being highlighted, but it’s a pity that people can’t seem to get past the idea that there isn’t anything more to the story of the goldfields Chinese than rivalry, misunderstanding, prejudice and discrimination. The gold medal, just by itself, suggests that the story is much more complex than that.

Via H-Asia, an announcement of a new online exhibition about the history of Chinese American women.

Chinese American Women: A History of Resilience and Resistance explores the lives of Chinese American women during their first one hundred years in the United States. It has been put together by Jean Pfaelzer, author of Driven Out: The Forgotten War Against Chinese Americans (Random House, 2007) for the US National Women’s History Museum.

One of the exhibition’s highlights are the photographs and personal stories of Chinese women in 19th and early 20th century America.

The Sidney D Gamble photograph collection, held by Duke University, is available online. Here’s a description from the site:

From 1908 to 1932, Sidney Gamble (1890-1968) visited China four times, traveling throughout the country to collect data for social-economic surveys and to photograph urban and rural life, public events, architecture, religious statuary, and the countryside. A sociologist, renowned China scholar, and avid amateur photographer, Gamble used some of the pictures to illustrate his monographs. The Sidney D. Gamble Photographs digital collection marks the first comprehensive public presentation of this large body of work that includes photographs of Korea, Japan, Hawaii, San Francisco, and Russia.

There are images from Hong Kong, Macau, Guangdong and Fujian. Also a nifty interactive map.

As I was looking through the Guangdong photos, my eye was particularly taken by this image of a rickshaw driver in a fantastic raincoat. It was taken between 1917 and 1919 in Canton.

It reminded me that on one trip to China, I spent some time exploring the ‘antique’ furniture markets in Tanzhou, Zhongshan, just outside of Zhuhai. (The no. 31 bus from Zhuhai went there.) The markets are a mixture of small shops/factories that produce ‘antique’ Chinese furniture and other shops that have genuinely old stuff. These raincoats were hanging outside up outside one little place – one is adult-sized and the other child-sized.